<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>DANIELA GRABOSCH</title>
	<link>https://danielagrabosch.com</link>
	<description>DANIELA GRABOSCH</description>
	<pubDate>Mon, 07 Feb 2022 14:14:38 +0000</pubDate>
	<generator>https://danielagrabosch.com</generator>
	<language>en</language>
	
		
	<item>
		<title>INDEX</title>
				
		<link>https://danielagrabosch.com/INDEX</link>

		<pubDate>Mon, 07 Feb 2022 14:14:38 +0000</pubDate>

		<dc:creator>DANIELA GRABOSCH</dc:creator>

		<guid isPermaLink="true">https://danielagrabosch.com/INDEX</guid>

		<description>
	DANIELA GRABOSCH &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;gt;&#38;gt;&#38;gt; ON INSTAGRAM &#38;lt;&#38;lt;&#38;lt;

#35 &#38;nbsp; &#38;nbsp;2023 &#38;nbsp; &#38;nbsp;WE ARE ALL ENTANGLED HYBRID ORGANISMS HERE.*¹
#34 &#38;nbsp; &#38;nbsp;2022 &#38;nbsp; &#38;nbsp;WE MORPHED INTO HUMANOIDS*¹
#33 &#38;nbsp; &#38;nbsp;2022 &#38;nbsp; &#38;nbsp;I PREFER FACTS TO MOONDUST*¹
#32&#38;nbsp; &#38;nbsp; 2021&#38;nbsp; &#38;nbsp; THE SCREEN IS WHERE WE MET&#38;nbsp;—&#38;nbsp;
#31 &#38;nbsp;&#38;nbsp; 2021 &#38;nbsp;&#38;nbsp; [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 04]
#30&#38;nbsp; &#38;nbsp; 2021&#38;nbsp; &#38;nbsp; [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 03]
 #29&#38;nbsp; &#38;nbsp; 2021&#38;nbsp; &#38;nbsp; ALL MY HOMES ARE FACING THE SEA —
#28&#38;nbsp; &#38;nbsp; 2020&#38;nbsp; &#38;nbsp; BLUE &#38;nbsp; RED &#38;nbsp; YELLOW &#38;nbsp; GREEN —&#38;nbsp;
#27&#38;nbsp; &#38;nbsp; 2020&#38;nbsp; &#38;nbsp; [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 02]&#38;nbsp;
#26&#38;nbsp; &#38;nbsp; 2020&#38;nbsp; &#38;nbsp; [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 01]
#25&#38;nbsp; &#38;nbsp; 2020&#38;nbsp; &#38;nbsp; THERE WAS NO ONE TO TALK TO –
#24&#38;nbsp; &#38;nbsp; 2019&#38;nbsp; &#38;nbsp; AND THEN — I ENTER[ED] THE DEEPEST, MOST DUG CAVE*¹
#23&#38;nbsp; &#38;nbsp; 2019&#38;nbsp; &#38;nbsp; THE GROTTO OFF SITE PROJECT
#22&#38;nbsp; &#38;nbsp; 2019&#38;nbsp; &#38;nbsp; INSTRUCTIONS FOR [RE]VISITING [saˈlɔ] [ˈsɑlo] [salˈo]

#21&#38;nbsp; &#38;nbsp; 2019&#38;nbsp; &#38;nbsp; [COEXISTING BODIES INHABITING FRACTAL LANDSCAPES]

#20&#38;nbsp; &#38;nbsp;  2019 &#38;nbsp;&#38;nbsp; [AUGMENTED ELASTIC DEFORMATION]
#19&#38;nbsp; &#38;nbsp; 2019&#38;nbsp; &#38;nbsp; [A SKIN-LIKE TISSUE GROWN IN A LABORATORY]
#18&#38;nbsp; &#38;nbsp; 2018&#38;nbsp; &#38;nbsp; [SCATTERED MEMORIES OF A MOMENTARY MOVEMENT 01]
#17&#38;nbsp; &#38;nbsp; 2018&#38;nbsp; &#38;nbsp; [NON]HUMAN ASSEMBLAGES UNFOLDING OVER TIME
#16&#38;nbsp; &#38;nbsp; 2017&#38;nbsp; &#38;nbsp; [A STATE OF FLUX] / [MOTION MARKER 01-03]
#15&#38;nbsp; &#38;nbsp; 2017&#38;nbsp; &#38;nbsp; MODULE #8 [A STATE OF FLUX]
#14&#38;nbsp; &#38;nbsp; 2016&#38;nbsp; &#38;nbsp; INTANGIBLE COORDINATES / PROCESSING MOVEMENT
#13&#38;nbsp; &#38;nbsp; 2016&#38;nbsp; &#38;nbsp; [saˈlɔ] [ˈsɑlo] [salˈo]
#12&#38;nbsp; &#38;nbsp; 2016&#38;nbsp; &#38;nbsp; MODULE #7
#11&#38;nbsp; &#38;nbsp; 2016&#38;nbsp; &#38;nbsp; 48.2082° N / 16.3738° E 38.4442° N / 09.1015° W
#10&#38;nbsp; &#38;nbsp; 2016&#38;nbsp; &#38;nbsp; MODULE #6
#09&#38;nbsp; &#38;nbsp; 2015&#38;nbsp; &#38;nbsp; MODULE #5
#08&#38;nbsp; &#38;nbsp; 2015&#38;nbsp; &#38;nbsp; MODULE #2 / MODULE #3 / MODULE #4
#07&#38;nbsp; &#38;nbsp; 2015&#38;nbsp; &#38;nbsp; MODULAR HOUSING
#06&#38;nbsp; &#38;nbsp; 2015&#38;nbsp; &#38;nbsp; MODULE #1
#05&#38;nbsp; &#38;nbsp; 2014&#38;nbsp; &#38;nbsp; PRE-PACKAGED TO MEET YOUR BUDGET
#04&#38;nbsp; &#38;nbsp; 2014&#38;nbsp; &#38;nbsp; MARGARETENSTRASSE 46/1/2
#03&#38;nbsp; &#38;nbsp; 2013&#38;nbsp; &#38;nbsp; BETWEEN YOU AND ME
#02&#38;nbsp; &#38;nbsp; 2012&#38;nbsp; &#38;nbsp; BODYFORMINGSCAN
#01&#38;nbsp; &#38;nbsp; 2012&#38;nbsp; &#38;nbsp; EINE SICH STÄNDIG VERMEHRENDE HÄUSLICHE FÜLLE
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ABOUT&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; CONTACT

2023: INTERVIEW FOR LES NOUVEAUX RICHES MAGAZINE WITH KAJSA RHODIN 

2023: WE ARE ALL ENTANGLED HYBRID ORGANISMS HERE, NEW JÖRG, VIENNA (AT)

2023: FASCINACE WN-I0407-1, GALERIE 35M2, PRAGUE (CZ)

2023:  PUBLICATION BIRGIT JÜRGENSSEN PRIZE 2014-2023, VIENNA (AT)

2022: REVIEW FOR GALLERYTALK.NET &#38;gt;&#38;gt;&#38;gt;  MY TOP 05 CURATED BY 2022 &#38;nbsp;

2022: “DISPATCHES FROM A TROUBLED CITY” AT MUSA STARTGALERIE, VIENNA (AT)&#38;nbsp;

2022: REVIEW FOR GALLLERYTALK.NET &#38;gt;&#38;gt;&#38;gt; TOP 10 VENICE BIENNALE 2022&#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;
&#38;nbsp;
2020: STARTSTIPENDIUM GRANT FOR FINE ARTS BY THE AUSTRIAN FEDERAL MINISTRY FOR ARTS AND CULTURE (BMKOES) &#38;nbsp; 





© Daniela Grabosch unless otherwise stated. Images, Videos and Texts can only be used under permission of the author(s).</description>
		
	</item>
		
	</channel>
</rss>