#10 2016 MODULE #6 (POSITION YOURSELF INSIDE A MOVING STRUCTURE)
Wood, chipboard, metal, vinyl flooring, Raspberry-Pi, LCD-screen, metal hooks, polyester round sling, video (text based on 3D-Modeling-Software)
Dimensions variable
MODULE #6 (POSITION YOURSELF INSIDE A MOVING STRUCTURE) is a modular stage. It was first constructed in the digital space and afterwards transformed back into the physical exhibition room – following strictly its given structural and institutional conditions. MODULE #6 (POSITION YOURSELF INSIDE A MOVING STRUCTURE) provides a usable playground to the audience, a default structure in which the mobility of objects and the positioning of the audience can be renegotiated – as a result the audience experiences different ideas of spatiality, constantly changing with every new visitor entering the exhibition space.
MODULE #6 (POSITION YOURSELF INSIDE A MOVING STRUCTURE) is a virtually designed stage setting which finds its extension/expansion within the [human] body. Not only is the artwork transforming the audience into acting performers – all interacting objects become active performers within a constructed stage scenario.
![](https://freight.cargo.site/t/original/i/f23a5246bda6981e51525c38cd90b0472d5377f6c36ec7e936f3062be0685805/DANIELA-GRABOSCH-MODULE-6-2016-INSTALLATION-VIEW-1.jpg)
![](https://freight.cargo.site/t/original/i/04d959a68d975591fad7d99985dac172fcb81b90b20656a891ce7f912ce662ef/DANIELA-GRABOSCH-MODULE-6-2016-INSTALLATION-VIEW-2.jpg)
![](https://freight.cargo.site/t/original/i/fcd1438f1ab674b80eca210bac0fcdc27dda55c6cbddbf7de8e18a90b8ffd72f/DANIELA-GRABOSCH-MODULE-6-2016-INSTALLATION-VIEW-3.jpg)
![](https://freight.cargo.site/t/original/i/6db1bb5fc25f2cc93b164f13d762c7e1224b3baab687448f61a8839860c065bd/DANIELA-GRABOSCH-MODULE-6-2016-INSTALLATION-VIEW-4.jpg)
![](https://freight.cargo.site/t/original/i/5d6bac8b3be01154dbfda5f545d8b74d948b4470c703c1f10dd6c8377ccaf269/DANIELA-GRABOSCH-MODULE-6-2016-INSTALLATION-VIEW-5.jpg)
[Photos: Ricardo Almeida Roque]
Multilayered motherboards
adopting technologies,
modelling new relationships,
embracing new imaginaries.
Digital technologies as prosthetics
for ideas about form-making.
The computer escaping the box.
Ordinary objects becoming carriers of digital signals,
architecture becoming information.
Performing it
with a repertoire of moves.
Move
Rotate
Scale
Display
Delete
Add
Relations.
Apply an appearance to a face.
Apply an appearance to a feature.
Apply an appearance to a body.
Apply an appearance to an entire part.
Choreographies of human and non-human actors unfolding over time. *